Residential Fellowships

The Humanities Research Center’s annual residential fellowships are awarded to 4-6 faculty members and at least one Ph.D. student per year.

The goal is to foster intellectual exchange and to enhance the quality of research at VCU by exposing faculty to different perspectives and methodologies. Fellows meet as a group once a week during the Fellows' Seminar to discuss their works-in-progress. Fellows are given the opportunity to give public presentations about their projects during the academic year following their residency at the Center. Publications resulting from this fellowship program must acknowledge the Center’s support.

The theme for the 2026-27 year is Repair.

Faculty residential fellowships  Graduate student residential fellowships

2026-27 Residential Fellows

Massa Lemu

Associate Professor of Sculpture + Extended Media, VCUarts

“A Thousand Ways to See the Malawian Dugout Canoe”

Massa Lemu“A Thousand Ways to See the Malawian Dugout Canoe” constitutes a series of collages inspired by the aesthetics and materials of the repaired dugout canoe. Created in 2023 with Ozhopé collective, the collages are composed of photographic images of the rich textual surfaces of the Malawian dugout canoe, which we have gathered since 2017, nailed and glued to driftwood and other material such us nets and cork found on the shores of other water bodies such as Lake Geneva and the Mediterranean. The technique of collaging the different materials is inspired by Malawian fishers' methods and materials of repairing the dugout canoe. The fishers’ method of patching turns the dugout canoe into a beautifully textured and textual surface, carrying multiple stories of communities on the shores of Lake Malawi and of the larger Malawian society. Our scrolls therefore bring into conversation Malawian stories and those of other lacustrine regions to highlight the ecological, social, and political linkages between these distanced geographical locations. Specifically, the collages re-present Malawian ecologies of recycle and repair.

Mary Caton Lingold, Ph.D.

Associate Professor, Department of English  | Director, PhD Program in Media, Art, and Text 

“Engaging the Past to Repair the Present? On History, Memory, and Slavery, Now”

Mary Caton LingoldThis project grapples with what it means to engage the past in the present. What responsibility do we have to know what came before, and to be stewards of that information? How can engaging with the past be transformative for people in the present? In some respects, a philosophy of history, this book-in-progress also responds to the way that histories of early America and slavery have changed in the last few decades. The project will be anchored in my point-of-view as a white U.S Southerner, an educator and scholar of slavery, and a resident of Richmond, Virginia in the post-Covid era.

Daniel Morales, Ph.D.

Associate Professor, Department of History

“The Latino Virginia Project”

Daniel MoralesDuring the 2026–2027 academic year, I will begin writing a book based on the Latino Virginia Project, a collaborative research and public humanities initiative that documents the migration, integration, and community-building experiences of Latinos in the Commonwealth of Virginia. The project has collected more than one hundred oral histories with immigrants and U.S.-born Latinos across the state, many recorded by VCU undergraduate researchers trained in public history and qualitative methods. These narratives reveal how Latino communities—often invisible in Virginia’s historical record—have built lives, institutions, and relationships. The book will use these oral histories to explore how Latinos are making new lives in the state, and organizing politically.

Emilie Raymond, Ph.D.

Professor, Department of History

“Repairing the Wounds of War: Virginia and the Vietnam War”

Emilie RaymondThe last U.S. combat troops left Vietnam on March 29, 1973; South Vietnam surrendered to communist forces on April 30, 1975, thus ending a long, costly and polarizing war. Over fifty years later, public perception of the Vietnam War continues to be shaped by disappointment and cynicism, effectively undermining interest in those who experienced it. This project will highlight the voices of Virginia’s veterans and South Vietnamese refugees, as well as Virginians on the home front, impacted by the war. By using untapped archival sources, particularly letters and oral histories, it will reveal an unappreciated human side of the war that sheds new light on their experiences. The HRC fellowship will support ongoing research and the production of two works: a traveling banner exhibit in cooperation with the Virginia War Memorial Foundation’s “Salute to Service” veteran reunion series and an edited collection of primary sources. Both efforts seek to address and repair the wounds of the combat and controversy experienced by Virginians impacted by the Vietnam War, and educate later generations about the conflict.

 

Sachi Shimomura, Ph.D.

Associate Professor, Department of English

“Enduring Death: Old English Saints’ Bodies and Community Memory”

Sachi ShimomuraMy project, focusing on a pair of chapters for my manuscript “Enduring Death: Old English
Saints’ Bodies and Community Memory,” analyzes how community memory and monuments, including the sites of saints’ bodies and the traditions that accrue around them, help repair rifts of community or belief, or the cultural breakdowns in monasteries struck by the plague. In particular, Bede’s Historia Ecclesiastica, relating the history of Christian conversion in early medieval England, deliberately focuses on dead and dying holy bodies to sustain not only miracles, but community continuity through their memory. Bede presents narrative and properly conceived memory as ways to repair lapsed spirituality, or memorialization as a process of social remedy. Recent archaeological studies have suggested methods by which funeral sequences, grave mounds, and cemeteries rewrite the landscape as well as the identity of the deceased in relation to the community. Analyzing the community-based processes of memory-making within Bede’s and surrounding Old English narratives, I seek to recuperate how medieval audiences would have understood these scenes. The project draws upon such recent work in disciplines including archaeology, art history, and cultural studies, as well as health humanities approaches to death, suffering, healing, memory, and community health.

 

Yiwen Wei, Ph.D.

Assistant Professor and Graduate Program Director, Department of Art Education, School of the Arts

“Repair, Restore, and Recreate with Family and Community: A Participatory Art Project on Cultural Hybridity”

Yiwen WeiThis community-based participatory art project explores the concept of cultural hybridity through the lived experiences and storytelling of Richmond, Virginia, residents. It consists of interviews and artmaking, focusing on how participants and their families collaboratively reinterpret their cultural heritage through repair, restoration, and recreation. This project will invite participants and their family members to bring a family artifact (e.g., photographs, heirlooms, or objects) connected to a significant family event and share the stories surrounding it. From these dialogues, each group will co-create an artwork that reflects emerging themes from their storytelling—such as family trauma, restoration and healing, or the celebration of hope and resilience. Both the interviews and the artmaking processes will be video-documented to create short documentary films. Alongside these films, their artworks will be exhibited in local libraries to spark dialogue with broader community audiences. The project seeks to explore how individuals navigate between American mainstream culture and their inherited cultural traditions. It challenges the notion of fixed, homogeneous identities by emphasizing cultural fluidity—how cultural practices evolve through exchange, adaptation, and fusion, blending elements from diverse backgrounds to create something new.

 

 

Previous Fellows